From Serious Leisure to Serious Work, or, When Folk Music Struck a Chord: Careers, Habermasian Rationality and Agency

This paper uses the English folk music scene to consider the career arc that can develop when leisure turns to work for folk musicians. In considering this move from amateur to professional, it draws together ideas of casual leisure, serious leisure and work, highlighting the agency exercised in their career, the centrality of a familial and musical habitus, and the structured network of the scene based around various actor roles. Whilst some seek out and others stumble across professional careers, each shifts from communicative to instrumental rationality creating tensions in a tightly knit Professional, Amateur, Public (P-A-P) network. In this paper, we see how folk musicians are involved in various leisure or professional actor roles but it is in the latter that individuals are seen to benefit from the hedonic elements of casual leisure and the learning of serious leisure whilst being paid as a professional.