From Gaze to Witness: Masculinity and Loss in George Shaw’s Paintings of Tile Hill

Oliver, E (2018) From Gaze to Witness: Masculinity and Loss in George Shaw’s Paintings of Tile Hill. FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts (27). ISSN 1749-9771 DOI: https://doi.org/10.2218/forum.27.2902

Identification Number:	https://doi.org/10.2218/forum.27.2902
Status:	Published
Refereed:	Yes
Publisher:	Edinburgh University Library
Depositing User (symplectic)	Deposited by Morris, Helen on behalf of Oliver, Elisa
Date Deposited:	05 Dec 2019 11:08
Last Modified:	23 Feb 2022 10:59
Item Type:	Article

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From Gaze to Witness: Masculinity and Loss in George Shaw’s Paintings of Tile Hill

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