Abstract
This paper discusses my practice research, which investigates methods of integrating site into musical composition. Through this practice I have developed effective techniques and systems that engage with aural architecture using a variety of repurposed or modified technologies. Using an empirical, reflexive approach, I have developed sonic material as well as creating processes and custom tools for spatialisation. In one work, this was through using small-scale mechanical music boxes, which were modified so they could be activated by the movement of visitors to the site. In other works, I projected sound through site-specific multichannel electroacoustic systems using custom software and hardware. The methodology that I have developed is inherently about modifying or misusing existing technologies; the need to find a technical solution for a creative output is in itself a rewarding process. In this paper I discuss how a site-specific approach may include the development of bespoke tools and technologies, as well as a methodology that integrates site into musical composition in a meaningful and enriching way.
More Information
Divisions: | Leeds School of the Arts |
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Identification Number: | https://doi.org/10.4324/9781003396550 |
Status: | In Press |
Refereed: | Yes |
Publisher: | Focal Press |
Depositing User (symplectic) | Deposited by Birch, Robert |
Date Deposited: | 11 Dec 2024 15:47 |
Last Modified: | 11 Dec 2024 19:02 |
Item Type: | Book Section |
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