Abstract
In her book, Cosmopolitan Radicalism: The Visual Politics of Beirut’s Global Sixties, Zeina Maasri examines the development of Beirut as a ‘nodal city’ (p. 8), a center for radical publishing in the Arab region during the ‘long 1960s.’ The region’s “global sixties” are defined as the period marked by 1958s anticolonial struggles and Cold War politics, through to Beirut’s place in anti-imperialist and Third Worldist politics and the Palestinian revolutionary project, to the start of the Lebanese Civil War in 1975. As Maasri shows, during this time Beirut encouraged the flow of radical visual and political discourses, shaped translocal aesthetic and political subjectivities, and, in turn, was shaped by them. At the core of the book’s argument is the critical role of the mobility of printed matter—magazines, books, and ephemera—to political relations and, as such, to the development of aesthetic and political subjectivities.
More Information
Divisions: | Leeds School of the Arts |
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Identification Number: | https://doi.org/10.1093/jdh/epac019 |
Status: | Published |
Refereed: | Yes |
Publisher: | Oxford University Press |
Additional Information: | This is a pre-copyedited, author-produced version of an article accepted for publication in Journal of Design History following peer review. The version of record Ikoniadou, M. (2022) Cosmopolitan Radicalism: The Visual Politics of Beirut’s Global Sixties. Journal of Design History, 35 (4), pp. 443–444. is available online at: https://doi.org/10.1093/jdh/epac019 |
Uncontrolled Keywords: | 11 Sustainable Cities and Communities; 1203 Design Practice and Management; History; 3301 Architecture; 3303 Design |
SWORD Depositor: | Symplectic |
Depositing User (symplectic) | Deposited by Ikoniadou, Maria |
Date Deposited: | 10 Jan 2025 15:44 |
Last Modified: | 10 Jan 2025 18:39 |
Item Type: | Article |
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