Abstract
In an interview in 1978, Lyotard was asked if he believed a “communication volontaire” is possible. The difficulty of translating this phrase — “self-directed” or “voluntary” communication? — is enhanced by the fact that such a notion seems oddly out of time. Lyotard’s reply invokes aspects of the strange and strained relationship between his most philosophical book, The Differend: Phrases in dispute, and his most popular, The Postmodern Condition: a report on knowledge, in particular the shift from Wittgensteinian ideas of “language games” to that of phrase regimen and its attending critique of anthropocentrism. Is there, in this shift, a move that echoes current questions asked by the conjuncture of art and technology and into which it might, in turn, feed? The possibility of a “communication volontaire” will be considered through the inter-relationship of both texts, Lyotard’s own response in relation to his teachings at the university of Vincennes, and through artworks which perform aspects of this voluntary process.
More Information
Divisions: | Leeds School of the Arts |
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Status: | In Press |
Refereed: | Yes |
Publisher: | Radboud University Press |
Additional Information: | The author retains unrestricted copyrights and publishing rights |
SWORD Depositor: | Symplectic |
Depositing User (symplectic) | Deposited by Bamford, Kiff |
Date Deposited: | 13 Aug 2025 13:19 |
Last Modified: | 13 Aug 2025 13:19 |
Item Type: | Article |
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Note: this is the author's final manuscript and may differ from the published version which should be used for citation purposes.
License: Creative Commons Attribution
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