Pacheco and Charanga: imitation, innovation and cultural appropriation in the típico tradition of New York City

Miller, SM (2020) Pacheco and Charanga: imitation, innovation and cultural appropriation in the típico tradition of New York City. Latin American Music Review / Revista de Música Latinoamerica, 41 (1). ISSN 0163-0350

Abstract

Abstract In this article the performance practice of Afro-Cuban dance music is explored and discourses surrounding creativity brought to bear on questions surrounding innovation and stylistic development. A case study of Dominican-born Johnny Pacheco, charanga flute player and co-creator of the term ‘salsa,’ enables issues including imitation, innovation and cultural appropriation to be explored within the context of típico charanga performance in mid-twentieth-century New York.

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Status:	Published
Refereed:	Yes
Publisher:	University of Texas Press
Additional Information:	This is a pre-copyedited version of an article accepted for publication in Latin American Music Review, 41(1), 2020, following peer review. The definitive publisher-authenticated version is available from University of Texas Press.
Uncontrolled Keywords:	1904 Performing Arts And Creative Writing,
Depositing User (symplectic)	Deposited by Miller, Sue
Date Deposited:	21 Nov 2018 14:06
Last Modified:	11 Jul 2024 00:48
Item Type:	Article

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Pacheco and Charanga: imitation, innovation and cultural appropriation in the típico tradition of New York City

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