Abstract
This paper examines a key trope within much contemporary paranormal romance: the absence, or ineffectiveness, of the father. The first part of the essay develops an analysis of this aspect of the genre (in the Twilight Saga especially) through the work of René Girard, Luce Irigaray, and Juliet MacCannell. Of particular importance here is the extent to which Twilight and similar narratives stage female self-sacrifice as a pre-condition for the redemption of the hero and the restoration of patriarchal bonds initially compromised by some crisis in the effective functioning of paternal authority. The second section extends this analysis to consider ways in which paranormal romances featuring werewolves and vampires shift away from this conservative and reductivist romance paradigm so as to affirm and contest heteronormative, paternalistic models of masculinity and sexual desire.
More Information
Identification Number: | https://doi.org/10.3366/gothic.2019.0004 |
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Status: | Published |
Refereed: | Yes |
Publisher: | Edinburgh University Press |
Additional Information: | This is an Accepted Manuscript of an article published by Edinburgh University Press in Gothic Studies. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/gothic.2019.0004 |
Uncontrolled Keywords: | 2005 Literary Studies, |
Depositing User (symplectic) | Deposited by Chaplin, Susan |
Date Deposited: | 21 Jul 2020 15:00 |
Last Modified: | 11 Jul 2024 23:01 |
Item Type: | Article |
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