Abstract
Pianist Nicky Hopkins (1944-1994) was one of the most gifted and prolific session musicians of his generation, playing on recordings by artists including The Kinks, The Who, The Beatles, and most extensively, The Rolling Stones. This essay considers Hopkins’ legacy through the lens of disability studies, discussing how physical illness prevented him from joining bands because he was unable to tour. As a point of contrast against Hopkins’ image as an abstinent and (at the start and end of his career) teetotal musician, narratives of ‘rock & roll excess’ surrounding the Rolling Stones are critiqued as part of a cultural lineage dating back to Romanticism. Through these focal points, the essay also confronts the complex relationship between disability studies and addiction.
More Information
Status: | Published |
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Refereed: | Yes |
Publisher: | Routledge |
Additional Information: | This is an Accepted Manuscript of a book chapter published by Routledge in Beggars Banquet and the Rolling Stones Rock and Roll Revolution: `They Call My Name Disturbance' on 09 December 2019, available online: http://www.routledge.com/9781138304758 |
Uncontrolled Keywords: | disability, addiction, autism, popular music, Rolling Stones, Romanticism, |
Depositing User (symplectic) | Deposited by Morris, Helen |
Date Deposited: | 10 Nov 2020 11:34 |
Last Modified: | 11 Jul 2024 05:50 |
Item Type: | Book Section |
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Note: this is the author's final manuscript and may differ from the published version which should be used for citation purposes.
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