Abstract
Cyber hate is increasing. Every 30 seconds, a woman, somewhere, receives an abusive comment on Twitter (Amnesty International). And, it is estimated that around 20% of college students in the United States have been cyber-bullied. This article explores the motivational factors encouraging online hate and abuse. It will draw on Goffman’s seminal work, The Presentation of the Self in Everyday Life, to critically understand online communication, interaction and behaviour. It will define virtual frontstages and virtual backstages. By critically understanding the different characteristics of online and offline communication, it will help us comprehend how Goffman’s dramaturgical model is compromised when applied to online communication. Therefore, the work attempts to update this model, illustrating that virtual stages have blurred which affects behaviours, and exacerbates performances of hate online. As a result, many online platforms have become Virtual Stages of Hate.
More Information
Identification Number: | https://doi.org/10.1177/0163443720972318 |
---|---|
Status: | Published |
Refereed: | Yes |
Publisher: | SAGE Publications |
Additional Information: | The final version of this paper has been published in Media, Culture & Society by SAGE Publications Ltd, All rights reserved. © Daniel Kilvington, 2020. It is available at: https://doi.org/10.1177/0163443720972318 |
Uncontrolled Keywords: | 1903 Journalism and Professional Writing, 2001 Communication and Media Studies, 2002 Cultural Studies, Communication & Media Studies, |
Depositing User (symplectic) | Deposited by Kilvington, Daniel |
Date Deposited: | 25 Nov 2020 12:13 |
Last Modified: | 11 Jul 2024 19:57 |
Item Type: | Article |