Legard, P and Proctor, D and Gowans, T
(2023)
Noise, Power Electronics, and the No-Audience Underground: Place, Performance and Discourse in Leeds’ Experimental Music Scene.
In:
Popular Music in Leeds: Histories, Heritage, People and Places.
Intellect Books, Bristol.
ISBN UNSPECIFIED
(In Press)
Abstract
This chapter presents two practitioner accounts by co-authors Theo Gowans and Dave Procter concerning place - real and virtual - and the contemporary Leeds noise scene. These accounts are prefaced by an analysis of the present scene’s heritage from The Termite Club: particular attention is paid to how discourses around the ethos of noise in Leeds have shifted since the Termite Club ceased its activities, primarily as a consequence of the venues in which these performances now take place.
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More Information
Status: | In Press |
---|---|
Refereed: | Yes |
Publisher: | Intellect Books |
Uncontrolled Keywords: | no-audience underground, leeds, experimental music, drone (music), noise (music), DIY culture, |
Depositing User (symplectic) | Deposited by Legard, Philip |
Date Deposited: | 24 Jan 2023 14:58 |
Last Modified: | 29 Aug 2023 10:36 |
Item Type: | Book Section |
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Due to copyright restrictions, this file is not available for public download. For more information please email openaccess@leedsbeckett.ac.uk.
Due to copyright restrictions, this file is not available for public download. For more information please email openaccess@leedsbeckett.ac.uk.
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