Abstract
This article aims to explore the digital consumption of the Paralympic Games on the video-sharing platform YouTube to understand how the International Paralympic Committee (IPC) engages consumers in a digital setting, enabling an “alternative” consumption of the event. Using YouTube Data Tools we have automatically scraped data from 17,701 YouTube videos from Paralympic Games’ channel. After data manipulation and consolidation, statistical analyses were performed in order to understand how the IPC have adapted to the algorithm logic of platforms. Our findings demonstrate that YouTube should be comprehended as complementing and substituting television as the traditional medium of sport consumption. Thus, the digitalization of the sport industry adapts and continues, rather than revolutionizes, the symbiotic sport/media relationship. While digital revolution allows the IPC to reach wider audiences by bypassing a traditional media editorial logic, it does so within the algorithmic logic of platforms resulting from the unpaid digital labour of users.
More Information
Identification Number: | https://doi.org/10.1177/10126902231155572 |
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Status: | Published |
Refereed: | Yes |
Publisher: | SAGE Publications |
Additional Information: | © The Author(s) 2023 |
Uncontrolled Keywords: | 1504 Commercial Services, 1608 Sociology, 2002 Cultural Studies, Sport, Leisure & Tourism, |
Depositing User (symplectic) | Deposited by Petersen-Wagner, Renan |
Date Deposited: | 26 Jan 2023 15:42 |
Last Modified: | 11 Jul 2024 21:50 |
Item Type: | Article |
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