Items where Division is "Leeds Beckett University (pre-2020) > Faculty of Arts, Environment and Technology > Film, Music and Performing Arts" and Year is 2016
Up a level |
B
Badenhorst, AM (2016) Emballage. [Video] (Unpublished)
Bray, OP (2016) Playing with Constraint: Performing the OuLiPo and the clinamen-performer. Performance Research: a journal of the performing arts, 21 (4). pp. 41-46. ISSN 1469-9990 DOI: https://doi.org/10.1080/13528165.2016.1192866
F
Fryer, AK (2016) Radio Remains the Place to Discover Music. The Radio Academy.
Fryer, AK and Shakespeare, W (2016) Shall I Compare Thee to a Summer's Day. [Composition]
G
Granville, MJF and Brayshaw, T (2016) Senior Moments: Reflections on the CINAGE Project and Collaborative advances. In: Association of Education and Ageing International Conference Learning in Later Life: Theory, Policy and Practice, 05 April 2016 - 07 April 2016, The Open University, Milton Keynes, UK.
K
Kelly, A (2016) Cape Wrath. [Performance]
Kelly, A (2016) Telling Other People's Stories. In: TaPRA Interim Event: Training to give evidence: Performer training for verbatim, documentary, biographical and autobiographical performance practices, 11 May 2016 - 11 May 2016, Northumbria University.
L
Legard, PI (2016) The Bright Sound Behind the Sound: Real-World Music, Symbolic Discourse and the Foregrounding of Imagination. Interference: A Journal of Audio Cultures. ISSN 2009-3578
P
Paul, L (2016) Embodied Methodologies: The fourth annual Practice-based Research Conference, hosted by Royal Holloway, University of London. In: Embodied Methodologies: The fourth annual Practice-based Research Conference, hosted by Royal Holloway, University of London., 04 November 2016 - 05 November 2016, Royal Holloway, University of London, Bedford SqUARE, London.
R
Roe, SL (2016) Chasing Ambiguity. In: Dance HE Symposium 2016.
S
Senior, AM (2016) Beginners on Stage: Arendt, Natality and the Appearance of Children in Contemporary Performance. Theatre Research International, 41 (1). 70 - 84. ISSN 0307-8833 DOI: https://doi.org/10.1017/S0307883315000620
Senior, AM and Kelly, S (2016) On the Dialectics of Charisma in Marina Abramović’s The Artist is Present. Performance Research: a journal of the performing arts, 21 (3). pp. 74-83. ISSN 1469-9990 DOI: https://doi.org/10.1080/13528165.2016.1176740
Shail, RS (2016) A FILM FROM WALES: WELSH IDENTITY AND THE CHILDREN’S FILM FOUNDATION. Cylchgrawn Hanes Cymru / Welsh History Review, 28 (2). pp. 363-378. ISSN 0043-2431 DOI: https://doi.org/10.16922/whr.28.2.8
Spracklen, K (2016) Bravehearts and Bonny Mountainsides: Nation and History in Scottish Folk/Black Metal. Rock Music Studies. ISSN 1940-1159 DOI: https://doi.org/10.1080/19401159.2016.1253297
Spracklen, K (2016) "Millstone Grit, Blackstone Edge: Literary and Heritage Tourism in the South Pennines, England." In: Hooper, G, (ed.) Heritage and Tourism in Britain and Ireland: Nation, Conservation, Identity. Palgrave. ISBN UNSPECIFIED
Spracklen, K (2016) Theorising northernness and northern culture: the north of England, northern Englishness, and sympathetic magic. Journal for Cultural Research, 20 (1). pp. 4-16. ISSN 1479-7585 DOI: https://doi.org/10.1080/14797585.2015.1134056
Spracklen, K (2016) "What Did the Norwegians Ever Do For Us? Actor-Network Theory, the Second Wave of Black Metal and the Imaginary Community of Heavy Metal’." In: Varas-Díaz, N and Scott, N, (eds.) Heavy Metal Music and the Communal Experience. Lexington Press. ISBN 978-1-4985-0638-0
Spracklen, K and Henderson, S and Procter, D (2016) Imagining the Scene and the Memory of the F-Club: Talking About Lost Punk and Post-Punk Spaces in Leeds. Punk and Post Punk. ISSN 2044-1983 DOI: https://doi.org/10.1386/punk.5.2.147_1
T
Thompson, PA and Lashua, BD (2016) Producing Music, Producing Myth? Creativity in Recording Studios. IASPM@Journal, 6 (2). pp. 70-90. ISSN 2079-3871 DOI: https://doi.org/10.5429/2079-3871
Z
Zaluczkowska, A (2016) Bolton Storyworld – towards a Screenplay/Prototype for a Transmedia Production. Screenworks, 5. ISSN 2514-3123