Abstract
There is a stereotype that men – at least heterosexual men – are uninterested in fashion. Such stereotypes are inseparable from the broader logic of patriarchal society. Men are judged according to their economic power, and women are objectified into what the feminist Rosalind Coward called “the aesthetic sex”.
As part of this, fashion is a way through which women negotiate patriarchal sexual relations and popular ideas of femininity. In turn, the beauty industry reproduces impossible ideals, pressuring women to perfect an ever-increasing amount of their bodies.
The rise of the female or queer gaze has not resulted in the same social scrutiny of men’s bodies. Accordingly, fashion has become labelled as an essentially feminine pursuit. The fashion theorist Jennifer Craik went as far to say that the history of men’s fashion can be understood as a “set of denials”.
More Information
Divisions: | Leeds School of the Arts |
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Status: | Published |
Refereed: | Yes |
Publisher: | The Conversation Media Group |
SWORD Depositor: | Symplectic |
Depositing User (symplectic) | Deposited by Bento, Thalita |
Date Deposited: | 13 Jan 2025 21:53 |
Last Modified: | 13 Jan 2025 22:49 |
Item Type: | Article |