Abstract
This article centralizes changes within Leeds’ popular ‘musicscape’, i.e., the relations between popular music and urban landscape. Focusing on Leeds’ extreme heavy metal musicscape, we map sites of the Leeds metal scene (past and present) in order to understand the shifting social relationships, effects of city centre regeneration, and the ways in which heavy metal music scenes have the ability to adapt and respond to continual modifications within the urban city. To address these concerns, we draw upon scholarship from popular music and place, heavy metal and human geography. Heavy metal scenes are a significant, yet often invisible and under-acknowledged, part of the urban cultural landscape. Mapping the metal musicscape, then, becomes an important way to understand broader physical, social, political, and cultural changes that occur to, and within, the postmodern city.
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Identification Number: | https://doi.org/10.1386/ijcm.7.2.223_1 |
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Status: | Published |
Refereed: | Yes |
Uncontrolled Keywords: | Ethnography; Extreme metal music; Leeds; Mapping; Place; Regeneration |
Date Deposited: | 18 Jun 2015 12:49 |
Last Modified: | 11 Jul 2024 15:58 |
Item Type: | Article |
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Note: this is the author's final manuscript and may differ from the published version which should be used for citation purposes.
Note: this is the author's updated manuscript and may differ from the published version which should be used for citation purposes. (Converted to PDF)
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