Abstract
One challenge of performative research is that a performance is a one-time unique event. It cannot be preserved or returned to in its own form. Here, we offer a more durable artefact to preserve some aspects of the collaborative performance autoethnography we performed at ICQI in 2018. We write to communicate not only what we performed during the session but also our sentiments concerning singing and playing music as autoethnography. Because so often in our work we use songs, songwriting, music and performance, we propose rhythm, melody and harmony as alternative acts of autoethnographic collaboration. In this way of doing autoethnography, it may be that no words are spoken. But the burden of work is shared. This is the kind of collaboration we seek … in the here and now.
More Information
Identification Number: | https://doi.org/10.1177/1940844720978754 |
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Status: | Published |
Refereed: | Yes |
Publisher: | University of California Press |
Uncontrolled Keywords: | 1399 Other Education, |
Depositing User (symplectic) | Deposited by Douglas, Kitrina |
Date Deposited: | 05 Nov 2020 16:20 |
Last Modified: | 20 Jul 2024 23:31 |
Item Type: | Article |
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License: Creative Commons Attribution Non-commercial No Derivatives
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- D Carless ORCID: 0000-0003-1617-493X
- K Douglas ORCID: 0000-0003-1481-9642